Drona and Kidnap are big film in all respects - big stars, big canvas, big expenditure, big ad spend, big expectations. Sadly, they are a big, big, big letdown as well and people are already comparing these films to the recent supreme disasters like Saawariya, RGV Ki Aag and Love Story 2050 or the all time classic disasters like Razia Sultan or Roop ki Rani Choron ka Raja.
In Drona there are a few sequences that are executed with style like when Kay Kay turns Jaya Bachchan into a statue, the train sequence, Kay Kay dragging Priyanka to his yacht and the petal storm. Apart from these awe-inspiring sequences Drona rests on a wafer thin plot and a sloppy, slipshod and messy screenplay!
In Drona there are a few sequences that are executed with style like when Kay Kay turns Jaya Bachchan into a statue, the train sequence, Kay Kay dragging Priyanka to his yacht and the petal storm. Apart from these awe-inspiring sequences Drona rests on a wafer thin plot and a sloppy, slipshod and messy screenplay!
Kidnap is nowhere near Dhoom and Dhoom-2 the two previous directorial ventures of Sanjay Gadhvi that bring a cauldron of expectations. I never expected such a ridiculous piece of work from the same director! Probably the difference here is that Aditya Chopra and the YRF banner is not around this time. Kidnap has nothing to offer more than disappointments and it's a great disaster. I had read somewhere that Gadhavi feels Imran Khan’s performance in this film reminds him of Marlon Brando! Brando must be turning upside down in his grave! As a viewer in the theatre, you too will probably agree when Imran Khan proclaims, ‘Hell is right here!’.
I think Directors like Behl and Gadhvi should realize that movie-goers have stopped appreciating inane ideas.
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