All that glitters is not gold and that aptly applies to Fashion.

While a ‘Sex and the City’ and ‘The Devil wears Prada’ has the element of fashion and eccentricity ooze from every corner, a film like ‘Gia’ had powerful characters. The idea behind mentioning these films is not to bring a sense of comparison, but to highlight elements that seem missing in ‘Fashion’. Having watched Bhandarkar’s other movies, in ‘Fashion’ I felt he has not covered new ground, and instead of giving new insights into the world of fashion, he ends up strengthening the stereotypes.

The showstopper garment as a norm is always the last garment to be showcased in any fashion show across the world but in ‘Fashion’ the garment is showcased in the start of the fashion show! The front row of any fashion show consists of buyers from abroad, influential fashion editors, moneyed customers and fashion institute students but in ‘Fashion’ we have gay designers, modeling agency owner with his wife, floozies etc., Coming to the fashion designers in the film, all the male designers are gay! In one of his interview Bhandarkar claimed that he does a lot of ‘research’ for his films but sadly, it is all very obnoxiously superficial. The film is full of ad agency / fashion magazine honchos calling the shots, wild lifestyles, backstage dramas, wardrobe malfunction, casting couch... ouch, ouch, ouch!

All’s not bad in ‘Fashion’, the production design, costumes, styling are truly up market and a feast for the eyes, music is well synchronized with the lilting 'Mar Jaava' and 'Jalwa' as highlights. There are two major sequences that are simply outstanding. One, Kangana's wardrobe malfunction and two, when Priyanka exposes Arbaaz to his wife Suchitra Pillai. Apart from these the only other good things while watching the film were the comments audience were hurling at the film out of sheer boredom. The running time of almost 2 hours 40 minutes makes one restless, especially the penultimate 45-odd minutes.

Kangana Ranaut shows that she is one person who can get into the skin of the character and raised the bar with a superb performance, just outstanding. The thing that struck me most was the way Kangna did her role, the crazy part would have been easy for her since she has done such roles earlier also but the modelling part was what surprised me as she did look like a real model. Mugda is just about ok. But the movie ‘Fashion’ belongs to Priyanka Chopra, she is in the screen 90 percent of the time, and she is unimpressive to say the least and doesn’t even look the supermodel she is supposed to be.

Drona and Kidnap are a big letdown!

Drona and Kidnap are big film in all respects - big stars, big canvas, big expenditure, big ad spend, big expectations. Sadly, they are a big, big, big letdown as well and people are already comparing these films to the recent supreme disasters like Saawariya, RGV Ki Aag and Love Story 2050 or the all time classic disasters like Razia Sultan or Roop ki Rani Choron ka Raja.

In Drona there are a few sequences that are executed with style like when Kay Kay turns Jaya Bachchan into a statue, the train sequence, Kay Kay dragging Priyanka to his yacht and the petal storm. Apart from these awe-inspiring sequences Drona rests on a wafer thin plot and a sloppy, slipshod and messy screenplay!

Kidnap is nowhere near Dhoom and Dhoom-2 the two previous directorial ventures of Sanjay Gadhvi that bring a cauldron of expectations. I never expected such a ridiculous piece of work from the same director! Probably the difference here is that Aditya Chopra and the YRF banner is not around this time. Kidnap has nothing to offer more than disappointments and it's a great disaster. I had read somewhere that Gadhavi feels Imran Khan’s performance in this film reminds him of Marlon Brando! Brando must be turning upside down in his grave! As a viewer in the theatre, you too will probably agree when Imran Khan proclaims, ‘Hell is right here!’.

I think Directors like Behl and Gadhvi should realize that movie-goers have stopped appreciating inane ideas.